Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Samuel Palmer
A View of Ancient Rome

ID: 26411

Samuel Palmer A View of Ancient Rome
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Samuel Palmer A View of Ancient Rome


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Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.  Related Paintings of Samuel Palmer :. | Evening | The Timber Wain | The Magic Apple Tree | The Cypresses at the Villa d'Este | Cornfield by Moonlight |
Related Artists:
Marie Wiegmann
painted Mrs. Carl vom Rath in 1866
Hendrick Danckerts
(c.1625 - 1680) was a Dutch Golden Age landscape painter and engraver. Danckerts was born in The Hague, where he learned his trade and remained until 1653.He visited England for the first time in 1650.In 1653 he went to Italy, where he stayed for five years. He then moved to England where he entered the service of Charles II and the Duke of York. He painted Italianate landscapes, especially views of harbors and royal residences. He also produced portraits and devotional pictures and made engravings after the Italian old masters in the Royal Collection. He left England in 1679due to the public hostility towards Roman Catholics after the Popish Plot controversy. He died soon after in Amsterdam.
DAVID, Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,






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